A late decision to go to last night’s Divine Comedy gig proved troublesome when there wasn’t a working card machine at the City Hall. However, all ended well after a dash to a cash machine. And a discount for the hassle.
I was a huge Madness fan in my (and their) younger days. Since their Ladykillers tour brought them to Newcastle yesterday, I had to grab some tickets.
Squeeze, who I’d (weirdly) never actually seen live before, were supporting, and they were a huge bonus. Particularly since I’d not known that Glen Tilbrook had rejoined the band.
I’d actually watched the Ladykillers, the classic old film, on TV yesterday afternoon. I’d assumed that the tour of the same name was unconnected, but the gig definitely had something of a theme, with images and clips from the film. There were also, unusual for this band, pretty open criticisms of UK politics.
Yes, they’re getting on a bit, but they do still put on a good show.
It was also clear that they’d had some coaching in the Northeast dialect, when they performed Wor House. There was also the correct pronunciation of Newcastle, as opposed to the inappropriate Newcarstle.
I’ve always loved making new listening discoveries; there’s nothing better than being overwhelmed by great new music.
Recently, a really nice bloke introduced me to the Hillbilly Moon Explosion. And they’ve since been in my head pretty much non-stop.
Fortunately, I have a large degree of control of Spotify in the pub, so they’re on repeat through the day – at least until one of my colleagues notices.
A good track to start with is My love for evermore (both versions are great).
Today, to vary things a bit, I had around three hours of Prokofiev. Then, when Paul complained, I switched to the Hillbilly Moon Explosion. On repeat, of course. Several hours later, Phil noticed and put some other stuff on.