A late decision to go to last night’s Divine Comedy gig proved troublesome when there wasn’t a working card machine at the City Hall. However, all ended well after a dash to a cash machine. And a discount for the hassle.
Unplanned gigs are the best.
Went to see Idles last night; the third time I’ve seen them live. They have to be one of the best live UK bands right now.
It feels like just last year (it wasn’t; it was 2019-19) that we saw the New Year in with the Divine Comedy at the Sage. It was possibly my most enjoyable New Year’s Eve.
It certainly beat the Millennium, when I was chair bound with broken ribs. Not to mention this year.
Ok, I will, this New Year I have Covid.
Anyway, The Divine Comedy on the New Year’s Eve Graham Norton Show.
I was (very mildly) disappointed that, in the following interview, there was no mention of the Father Ted connection.
Still, a most pleasant end to a year.
I was a huge Madness fan in my (and their) younger days. Since their Ladykillers tour brought them to Newcastle yesterday, I had to grab some tickets.
Squeeze, who I’d (weirdly) never actually seen live before, were supporting, and they were a huge bonus. Particularly since I’d not known that Glen Tilbrook had rejoined the band.
I’d actually watched the Ladykillers, the classic old film, on TV yesterday afternoon. I’d assumed that the tour of the same name was unconnected, but the gig definitely had something of a theme, with images and clips from the film. There were also, unusual for this band, pretty open criticisms of UK politics.
Yes, they’re getting on a bit, but they do still put on a good show.
It was also clear that they’d had some coaching in the Northeast dialect, when they performed Wor House. There was also the correct pronunciation of Newcastle, as opposed to the inappropriate Newcarstle.
I went to see Karl play in Durham the other night; well, Two Wise Guys.
It’d been over two years since I’d last seen them, thanks to Covid and the associated lockdowns.
Although I did have to rush off soon after the gig to catch a train, I really enjoyed the music.
To be honest, I wasn’t really looking forward to seeing the Libertines last night. I’d seen them a couple of times before and hadn’t been too impressed.
But a mate (Ian) had bought tickets months ago, so I really did have to go. If anything, it’d be a chance to catch up with a good mate.
At the end of the day, it was a great night; the band were actually ridiculously good. We ended up staying out pretty late afterwards too, something I’d not done in ages.
After a pretty huge delay due to Covid, Elbow happened the other night.
A second gig in two weeks, with Idles last week. Two very different bands, but two equally brilliant gigs.
Our first Dub Fest. We might just come again.
The dog likes it too.
I’ve always loved making new listening discoveries; there’s nothing better than being overwhelmed by great new music.
Recently, a really nice bloke introduced me to the Hillbilly Moon Explosion. And they’ve since been in my head pretty much non-stop.
Fortunately, I have a large degree of control of Spotify in the pub, so they’re on repeat through the day – at least until one of my colleagues notices.
A good track to start with is My love for evermore (both versions are great).
Today, to vary things a bit, I had around three hours of Prokofiev. Then, when Paul complained, I switched to the Hillbilly Moon Explosion. On repeat, of course. Several hours later, Phil noticed and put some other stuff on.
Pretty much a week late, but life’s so busy. Around 11 years since I last saw them, I went to a Joe Gideon gig last Thursday. Minus the Shark. It was just the one hour set, but it was non-stop, with no faffing around. Good original music.
In the Shark’s place, Jim Sclavunos was on drums. It was kind of weird talking to him after the gig, since we’ll next see him in the SECC, with the Bad Seeds.
He was a nice guy, as was Gideon.
